Songs of Mihyar the DamasceneAdonis Written in the early 1960s, Songs of Mihyar the Damascene is widely considered to be the apex of the modernist poetry movement in the Arab world, a radical departure from the rigid formal structures that had dominated Arabic poetry until the 1950s. Drawing not only on Western influences, such as T. S. Eliot and Nietzsche, but on the deep tradition and history of Arabic poetry, Adonis accomplished a masterful and unprecedented transformation of

Gilbert – the only extant public document related to the massacre of these African slaves – Zong

de jaarlijkse prijs voor poëzie

like cage fighting with two opponents

Part pornography

Christensen finds the interplay of the unique and the whole

in a specific place

into manhood

The Lights registers the pleasures

Laced with the same politically-inflected Surrealistic fervor as Aimé Césaire

Ennio Moltedo (1931-2012)

or videos installations from 2014 through 2022

laat ons de terugkeer van de geboorte afwachten